The decade between 1834 and 1844 was the beginning of the modern era at the United States mint. The second half of this decade was especially interesting. A number of experiments and acts of legislation provided some of most attractive and popular issues in the history of American coinage.

A combination of factors occurred in the early to mid 1830’s that led to these design changes and the introduction of new mints and new denominations. Large quantities of gold were discovered in North Georgia and western North Carolina in the early 1830’s. This led to the establishment, in 1834, of branch mints in Charlotte, New Orleans and Dahlonega. These mints opened in 1838 and by the end of the 1830’s, all three were producing gold coins.

An important technological advance was the introduction of the steam press in 1836. Coins were now able to be struck using a close collar which allowed for a thicker edge and a more precise diameter and sophisticated designs. It also meant that the quaint, “folk art” designs of John Reich were to be replaced with more modern, technologically savvy renderings.

Christian Gobrecht was named the new Mint Engraver in 1835, after the exodus of John Reich. Gobrecht was a talented artisan whose skill enabled the Mint to modernize its gold coinage. Beginning in 1838, he attempted to create a uniform Liberty Head design for all three of the current gold denominations. This design would remain, with minor changes, until 1907.

One of the first assignments that Gobrecht was given was to design a new gold dollar. A small number of experimental pieces were produced in gold (Judd-67) as well as in a gold alloy, silver and copper. Despite an attractive design, this experiment did not produce any immediate results and the gold dollar denomination was shelved until 1849.

As more and more gold was discovered in the south, the importance of the yellow metal in coinage increased. Conversely, large discoveries of silver in Mexico and South America meant that the price of gold bullion rose. The Classic Head quarter eagle was introduced in 1834 and it featured a design by William Kneass and John Reich. The weight of these quarter eagles was reduced to 258 grains (from 270) and the diameter was lessened from nineteen millimeters to 17.5. Most importantly, mintage figures rose dramatically. Between 1829 and 1834 around 25,000 quarter eagles were struck. In 1834 alone, over 112,000 of the new Classic Head pieces were produced. (more…)

One of the more interesting (and lesser known) gold coin auctions that I’ve attended was the sale of the Stetson Collection which was conducted by the old Bowers and Merena in May, 1993. This was an instance where the back story (or stories in this case) was nearly as interesting as the coins themselves.

Beginning in 1992, an amazing hoard of gold coins started to quietly enter the market. This hoard consisted of tens of thousands of coins dated from the late 1830’s through, I believe, the 1920’s. It included large quantities of semi-key St. Gaudens double eagles, extensive runs of Carson City eagles and double eagles, large quantities of New Orleans eagles from the 1880’s through the early 1900’s, sizable quantities of San Francisco rarities and much, much more. It has never been revealed where these coins came from (although it is widely rumored that they came from an Eastern European central bank; given the time they were sold it would suggest that they were dispersed by a former Soviet bloc country in an attempt to infuse some Western capital).

This incredible hoard was dispersed over a number of years in a quiet, orderly fashion. Some of the coins went to dealers who sold them to marketers or specialists. Other coins were sold at auction. The first group of these coins to sell at auction was at the aforementioned Bowers and Merena sale and I can remember being extremely excited to have the chance to purchase some very important and very fresh coins.

Before I discuss the sale (and some events leading up to it) I’d like to discuss the appearance of the coins themselves. Because of the massive size of this hoard (and the intelligence of the individual who was masterminding its dispersal) these coins were, for the most part, kept original and dirty. Many of them had the prototypical “euro-Grime” appearance which I describe as follows: extremely deep almost brassy orange-gold toning with a noticeable two-ton e appearance from blackish grime or dirt on the high spots. This appearance was almost certainly the result of the environmental conditions in which these coins were kept. On some coins, the look was very attractive. On others, it was pretty ugly and the coins needed to be dipped (or washed with soap and water at the very least). (more…)

From Winter 2007 Vol 4 Issue 4 of the California Numismatist

The Cast of Characters President Theodore Roosevelt, artist-sculptor Augustus Saint- Gaudens, Henry Hering and the chief engraver of the United States Mint, Charles Barber, played pivotal roles in the creation of one of our most beautiful coins in the history of the coinage of the United States.

Roosevelt was elected Governor of New York in 1899 and ascended to the office of Vice President of the United States in 1901. With the tragic shooting of President William McKinley on September 6, 1901, Theodore Roosevelt became President and was inaugurated on September 14, 1901. He ran for the office and was elected President in 1904.

The parents of Augustus Saint- Gaudens migrated to the United States shortly after his birth in Dublin, Ireland on March 1, 1848. The family settled in New York. Saint-Gaudens always believed he was destined to become a sculptor and, at an early age, became a cameo cutter. He studied drawing at the Cooper Institute (1861-65) and was a student at the National Academy of Design (1865-66) receiving an Honorary LL.D. from Princeton.

Traveling to Paris, Saint-Gaudens studied at the prestigious Ecole des Beaux Arts (1866-70) and in Rome (1870-72). By 1885 he began to spend his summers in Cornish, New Hampshire and in 1900, he made his residence there.

Saint-Gaudens was diagnosed with intestinal cancer in 1900 and he had been in treatment, including surgery, since that time. The cancer continued and grew worse. During the first six months of 1906, the artist struggled with the constant debilitating pain caused by this disease. He spent most of March 1906 in Corey Hill Hospital in Brookline, Mass. Upon his return home, he continued to work but was quite limited due to his poor health. He relied more and more on his assistant, Henry Hering. By May 1906 Saint-Gaudens had to rely on his assistant to do all of the relief modeling. His doctors were no longer able to treat his cancer by radiation and Augustus Saint-Gaudens slipped into a coma and died at his home on August 3, 1907

Henry Hering was born in New York City on February 15, 1874. He attended the Art Students League in New York (1894-98) and, like Saint- Gaudens, the Ecole des Beaux Arts in Paris. In 1900 Henry Hering arrived in Cornish, New Hampshire where he served as an assistant to Saint-Gaudens. He remained in Cornish until the death of his mentor in 1907. (more…)

By Dennis Hengeveld

Collecting seated coins can be fun, rewarding, and above all very challenging. Not many people can afford both the time and cost to search, find, and have the opportunity to buy the hard to find coins which are included in every seated series due to the many dates and mintmarks included in the series. Examples could be the 1878-S half dollar and various Carson City coins. These coins, “stoppers” as they are called, are expensive and very hard to find, often causing collectors to fail in their final goal of completing a series they have specialized in for a long time.

Although I love seated coins, as a 19 year old I just can’t afford to complete any of the seated series in the grades I like, mainly AU50 to MS64 or higher in as original condition as I can find them. Of course, I might be able to buy those coins later in my life but I am not really the person who has the patience to buy coins for a set I know won’t be complete within an acceptable period time (“acceptable” for me is 8-10 years).

As you might guess, I had to find a solution. So, after buying my first certified seated coin (and my first seated coin anyway), which happened to be a wonderful and very original PCGS MS64 1871 Half Dime, I decided to try a very complete type set, with every single type in there (including coins with different weights but the same design). After buying my second Half Dime (1843 PCGS MS63 which after studying proved to be V-6a, the well-known repunched date) before buying any other seated coin, I got hooked to that series.

Yet, I already knew that the series was not possible to complete in both the time period in those grades I had in mind. So I searched for other solutions, with one of them described in this article: collecting the date-set; each date just one time without paying attention to mint marks. This technique is affordable and possible to complete, even for me with a limited budget.

In this article, all seated series, with the exception of the 20-cent series and the Trade Dollar (a series I personally do not consider a real seated type coin), are discussed. The 20-cent series is relatively easy but not fun to complete with only two business strike dates. Thus, for now, it is not included in this article. I will shortly describe the coins in the set and the difficulty of completing a date-set. For the first series of the seated type, this article will start with the highest denomination in the series, the Silver Dollar. (more…)