Photos and descriptions used with permission and courtesy of Heritage Auction Galleries

One of Only Two Pieces Known

The special nature of this coin has been recognized since at least 1941 when it appeared in Mehl’s Dunham Sale. It has passed from one specialist to another since then, always remaining in strong hands and rarely offered to the numismatic market. The obvious reason for striking this piece, as well as the other known branch mint proof, was “resumption of coinage of this denomination at New Orleans (interrupted 1860),” as stated in Breen (1977).

It is always interesting to compare and contrast branch mint proofs with those produced in Philadelphia. It appears that employees in the branch mints were not familiar with the day-to-day striking of proofs. Rather, when called upon to strike such coins, they produced pieces that they thought resembled the proofs that were regularly turned out of the mother mint in Philadelphia. And in most cases, they did an admirable job of emulating Philadelphia proofs.

For example, the fields on this piece have a depth of reflectivity that one would never find on a coin struck for circulation. Based on this mirror-like effect alone, its status is obvious. Of course, the specimen status goes beyond mere reflectivity. The surfaces are unusually clean, indicative of a coin that was carefully handled and not mixed in with pieces intended for circulation.

It is interesting to note the differences between this New Orleans specimen and a proof from Philadelphia. Most obvious are the striking details. Some of the feather details on the eagle and the star radials lack complete high point definition. Some P-mint proofs, especially from the 1880s, also lack full detailing and this is not an absolute necessity for proof status. On this coin it appears it was only struck once. Perhaps New Orleans personnel were not familiar with the tradition of double striking proofs?

It is also interesting to note that a scribe line is clearly evident just outside the denticles on each side. Indeed, die polishing goes up to the line on the obverse but not beyond. On the reverse much of the line is still evident and it has only been polished away between 1 and 3 o’clock. On Philadelphia proofs, part of the scribe line can still be seen on some issues, but die polishing was generally done carefully enough to either show the curve of each denticle or many times the individual denticles are fully outlined all the way to the rim. These are slight differences in the nature of branch mint proofs and Philadelphia proofs, and these differences can easily be explained by the quantities of proofs or specimens produced in each mint–one need not be quite as careful about the fine points if only two pieces are to be produced vs. the hundreds of pieces struck across all denominations in the Philadelphia facility. But the texture of this coin gives clear indication of the intent to produce a special coin most likely for presentation purposes.
The roster is brief for 1891-O specimen quarters as only two are known:

1. The present coin. Ex: William Forrester Dunham (B. Max Mehl FPL, 6/1941); Gene Edwards; 1980 ANA Sale (Steve Ivy, 8/1980), lot 2024; Jascha Heifetz Collection (Superior, 10/1989), lot 3652.
2. Private collection, ca. 1968; Ahwash Collection; current whereabouts unknown.

Photos and descriptions used with permission and courtesy of Heritage Auction Galleries

1804 $1 Original PR62 NGC. It is currently not the most expensive American coin-merely the most famous. Heritage Auction Galleries offered its first public sale of a Class I Original 1804 silver dollar, the Mickley-Hawn-Queller specimen at the CSNS Auction in April 16, 2008. Possessing a long and historic provenance that extends back to noted 19th century collector Joseph J. Mickley, this coin, graded PR62 by NGC, is one of eight Original Class I 1804 silver dollars known today. Of those eight coins, only five are in private collections, with the remainder in institutional holdings.

The Heritage offering marks the first time a Class I Original 1804 dollar has appeared at auction in nearly a decade, since the PR64 Dexter-Dunham example brought $1,840,000 in the year 2000.

The 1804 silver dollar has long been renowned as the “King of American Coins.” Well before such latter-day rarities as the 1913 Liberty nickels, the 1894-S Barber dimes, or the 1907 Ultra High Relief double eagles, the 1804 silver dollars were acknowledged as the most famous U.S. coins, yardsticks by which great American numismatic collections were measured.

Acquisition of an 1804 silver dollar-especially an Original or Class I example-bestows immediate numismatic immortality upon its possessor. The Class I Originals were legitimately struck in proof format at the U.S. Mint, apparently intended for presentation to foreign dignitaries. Some, however, soon found their way into commercial and collector channels. Their long and illustrious pedigrees have names tying them to foreign royalty, exotic destinations, captains of industry, and the luminaries of U.S. numismatics: the King of Siam, the Sultan of Muscat, Joseph J. Mickley, Matthew Stickney, Louis Eliasberg, John Work Garrett, Col. E.H.R. Green, Lorin G. Parmelee.
The first 1804 silver dollar to reach collectors’ hands is also the first-and most famous-numismatic transaction that most American collectors know of: In 1843 collector Matthew Stickney traded the U.S. Mint a unique 1785 Immune Columbia cent overstruck on a 1775 British gold guinea, along with some other pieces, for an 1804 silver dollar. The Guide Book of United States Coins (Red Book) has included the story since its first edition was published in 1947, edifying generations of young U.S. collectors and providing the stuff of dreams. (more…)