Description:
When the United States began producing precious metal bullion coins in the mid-1980s, the first gold coins were minted in a 22 karat standard. The obverse of the new coin was a copy of the acclaimed 1907 Saint-Gaudens gold double eagle, the reverse an image of a family of bald eagles by Miley Frost. The Presidential $1 Coin Act of 2005 authorized the production of a new bullion coin, a “$50 gold coin that É weighs 1 ounce, and contains 99.99 percent pure gold.” James Earle Fraser’s native American obverse, bison reverse designs for the 1913 Indian Head or Buffalo nickel were reused for this coin. The effort to create a higher purity coin was a response to the efforts of other countries in increasing the bullion coin purity standard, perhaps most obviously Canada’s .99999 pure $350 gold coin introduced in 1998.

In March, 2008, U.S. Mint Director Ed Moy announced that the U.S. Mint would recreate the original Ultra High Relief gold double eagle design. The 1907 examples of Saint-Gaudens’ pieces are considered patterns, with fewer than 20 examples likely surviving. Through President Theodore Roosevelt’s insistence several thousand High Relief double eagles were released shortly thereafter, but the technical issues of minting coins with such depth eventually became paramount. It was left to the much-maligned Chief Engraver Charles E. Barber to modify the artistic craft of the coin so that production needs could be met. However, in the past one hundred years, advances in minting technology made a contemporary recreation of the boldness of the original feasible. For the new High Relief design, Director Moy echoed Teddy Roosevelt’s sentiments in his announcement that “We want to spur the highest level of artistic excellence in American coin design.”

Original Saint-Gaudens plaster coin molds were used, digitally mapped and reproduced in the die-making process. Several design modifications to the original were made. Most obviously, the new coins are smaller in diameter (27mm, the same diameter as the last $10 eagles) but thicker (4 mm). Four stars were added to the obverse next to the rim, increasing the 46 of the original to a total of 50, to represent the current 50 states. The motto “In God We Trust” was added to the reverse, though it was not on the original High Relief pieces (the motto was added to double eagles in 1908). A small flattened rim was added to both sides, and the finish has been described as satiny rather than the brilliant proof surface of the original patterns. Each production coin is struck twice to bring up the full details of the design.

The obverse features a full-length image of Liberty, facing forward with an olive branch in her left hand and a raised torch in her right hand. Draped in a long, flowing gown, her hair is swept to the left. Some describe her as striding forward, but she appears instead to be in a pose; the foot of her left leg rests on a large rock, in front of which are oak leaves. To Liberty’s right, at the bottom left of the coin, the sun is visible behind a depiction of the U.S. Capitol building. Rays from the sun extend upward from behind the Capitol and Liberty, to about the level of Liberty’s waist. At the top of the coin is the word LIBERTY, the torch separating I and B. Fifty tiny six-point stars (representing the number of states) are arrayed just inside the flat rim, forming a circle broken only at the very bottom. The date MMIX in the original Roman style, each letter separated by a centered triangular dot, is at the right bottom, above the rock, and a monogram of the designer’s initials ASG is below the date.

The crest of the sun appears again on the reverse, at the bottom with rays extending upward nearly to the top of coin behind a majestic left-facing eagle, wings uplifted in flight. In an arc at the top edge of the sun is IN GOD WE TRUST, each word separated by a centered dot. At the top edge is UNITED STATES OF AMERICA in a concentric arc next to the flat rim, with TWENTY DOLLARS just below in another arc. The words of both phrases are separated and flanked by centered triangular dots, and the text is in front of the sun’s rays. E PLURIBIS UNUM in raised letters, the letters separated by thirteen raised six-point stars, is on the edge of the coin. The first Ultra High Relief Saints were minted at West Point, with the very first coin struck by the Mint Director and then placed in the Smithsonian Institution.

As with all U.S. Mint bullion coins, Ultra High Relief Double Eagles are sold because of their intrinsic metal value, but are also avidly collected for their numismatic interest. Unless by accident or unknown intent, these coins do not circulate. Over one hundred thousand of Regular strike pieces have been minted, with certified coins graded as either MS69 or MS70, and some with a Prooflike designation. Many collectors choose to keep their Ultra High Relief Saints uncertified in the original mahogany presentation box provided by the U.S. Mint. Prices for the UHR Saints are 30-40% above gold value, with an added premium for certified examples. “Perfect” 70 examples, First Strike, and Prooflike pieces are higher priced than MS69 coins.

Specifications:
Specifications:
Designer: Based on designs by Augustus Saint-Gaudens and Henry Hering (Saint-Gaudens’ collaborator).
Circulation Mintage: Over one hundred thousand.
Proof Mintage: None.
Denomination: $20 (worth much more either as bullion or as a collectible)
Diameter: 27 mm
Metal Content: 99.99% gold
Weight: 1.000 troy ounce
Varieties: First Strike issues have been designated

Additional Resources:
Additional Resources:
PCGS CoinFacts: www.pcgscoinfacts.com (subscription required)
U.S. Mint: www.usmint.gov
The Official Red Book: A Guide Book of United States Coins, Professional Edition. R.S Yeoman; Kenneth Bressett, Jeff Garrett, Q. David Bowers. Whitman Publishing.

Last Updated : 11/01/2009

Photos used with permission and courtesy of Heritage Auction Galleries

Description:
The early part of the 20th century was a time of great creativity in the design of U.S. coinage. August Saint-Gaudens’ double eagle was introduced in 1907, along with his Indian Head eagle. Victor D. Brenner’s Lincoln cent, commemorating in 1909 the centennial of the President’s birth, broke new ground- it was the first use of a presidential portrait on a circulating coin. A few years later, in 1913, James Earl Fraser’s Indian Head, or Buffalo, nickel was introduced, followed shortly thereafter in 1916 by Adolf A. Weinman’s Winged Liberty Head (Mercury) dime and Liberty Walking half dollar and Hermon A. MacNeil’s Standing Liberty quarter. In the same time period, the 1915 Panama-Pacific International Exposition produced several silver and gold commemoratives, including the Charles E. Barber/ George T. Morgan allegorical quarter eagle (one of Barber’s most creative works), and Robert Aitken’s equally symbolic round and octagonal fifty dollar gold pieces. Following the acclaim received for Saint-Gaudens’ stunning efforts on the ten and twenty dollar gold pieces, President Theodore Roosevelt turned his attention to the other two gold denominations, the quarter eagle and the half eagle (production of one dollar and three dollar gold coins ended in 1889).

The Liberty Head half eagle had been minted since 1839. Saint-Gaudens died in 1907, and though he had done some work for the smaller denomination gold coins, the designs for the two remained unfinished. Dr. William Sturgis Bigelow, a physician and art collector from Boston, had admired Egyptian reliefs displayed in the Boston Museum of Fine Arts. A close friend of President Roosevelt, Bigelow promoted the idea of using a sunken design on American coins, and Roosevelt agreed. Bigelow apparently contacted and persuaded a fellow Bostonian and former student of Saint-Gaudens, sculptor Bela Lyon Pratt, to create designs for the gold coins. Pratt used the same portrait on both the quarter eagle and the half eagle, a realistic image of a native American chief. The reverse displayed a bold standing eagle, a virtual copy of and perhaps tribute to the design Saint-Gaudens had used both on a Roosevelt inaugural medal and the Indian Head eagle. The use of an Indian on the coin followed the appearance of G.F.C. Smillie’s portrait of a Sioux Chief on the 1899 $5 silver certificate, but the imagery may also have been recognition of Roosevelt’s frontier heritage.

Not everyone approved of the designs, however, and Philadelphia coin dealer Samuel H. Chapman was one of the most vigorous in opposition. The incuse design, with devices and legends below the fields of the coin, promised to reduce wear on the features, but some thought the recessed areas would collect dirt and thus become a disease source. Others found fault with both the portrait and the eagle, though Mint Engraver Charles E. Barber, ever conscious of the technical necessities of coin production, had modified Pratt’s original eagle design. Claims that the coins could be easily counterfeited or wouldn’t stack properly (the latter an odd comment given the fact that the coins were rimless and had no design high points above the flat field) did not sway the President, and the new design was implemented. The Indian Head half eagle was minted yearly though 1916, after which production stopped, and then again in 1929, after which production permanently stopped. Though the mintage of half eagles in 1929 was generous, apparently most of that year’s coins were melted following President Franklin Roosevelt’s Executive Order 6102 of April 5, 1933, which effectively ended the legal tender status, thus circulation, of gold coins in this country.

The obverse is dominated by a left-facing somewhat determined portrait of a native American chief wearing a full-feathered war bonnet. LIBERTY is at the top, and the date at the bottom. Six five-point stars are placed to the left along the coin edge, and seven to the right. The designer’s initial, B.L.P. are located below the portrait and above the date. The reverse displays a standing eagle facing to the left, perched upon a bundle of arrows with an entwined olive branch. UNITED STATES OF AMERICA is at the top and the denomination FIVE DOLLARS is at the bottom, the words of both phrases separated by centered dots. E PLURIBUS UNUM, each word on a separate line, is to the left of the eagle, IN GOD WE TRUST, also with each word on a separate line, is to the right. Indian Head half eagles were minted at Philadelphia, Denver, San Francisco, and New Orleans; D, S, and O mintmarks are located just to the left of the arrowheads. All design features except the mintmarks are incuse, recessed below the field.

Tens of thousands business strike Indian Half Eagles have been certified, with significantly more for the series high mintage 1909 issue from Denver. Prices are modest for most dates for grades up to MS62, but for San Francisco issues only to AU55; those pieces are expensive to MS64, and very expensive to extremely expensive as Gem and finer. Other than the San Francisco Indian Head half eagles, other higher priced coins are the 1909-O (extremely expensive finer than MS62), 1911-D (very expensive finer than MS60), and 1929 (very expensive in all grades). A few hundred proof Indian Head half eagles have been certified, generally fewer than 100 coins per year. All proofs are expensive, increasing to very expensive finer than PR62, and extremely expensive finer than PR66.

Specifications:
Designer: Bella Lyon Pratt, reverse possibly influenced by the designs of Augustus Saint-Gaudens
Circulation Mintage: high 3,423,560 (1909-D), low 34,200 (1909-O)
Proof Mintage: high 250 (1910), low 75 (1915; none in 1916 or 1929)
Denomination: $5.00
Diameter: 21.6 mm, reeded edge.
Metal Content: 90% gold, 10% copper
Weight: 8.36 grams
Varieties: Very few known including Weak S mintmarks on the New Orleans and most San Francisco issues; and other minor die variations.

Additional Resources:
CoinFacts: www.coinfacts.com
Coin Encyclopedia: www.ngccoin.com
Encyclopedia of U.S. Gold Coins 1795-1933, Jeff Garrett and Ron Guth, Whitman Publishing.
Gold Coins of the New Orleans Mint: 1839-1909. Douglas Winter. Zyrus Press
The Official Red Book: A Guide Book of United States Coins. R.S Yeoman (author), Kenneth Bressett (editor). Whitman Publishing.
A Guide Book of United States Type Coins. Q. David Bowers. Whitman Publishing.
United States Coinage: A Study by Type. Ron Guth and Jeff Garrett. Whitman Publishing.
The Experts Guide to Collecting & Investing in Rare Coins. Q. David Bowers. Whitman Publishing.
The U.S. Mint and Coinage. Don Taxay. Arco Publishing
Walter Breen’s Encyclopedia of U.S. Coins. Walter Breen. Doubleday.

Last Updated : 07/28/2009