By Doug Winter – RareGoldCoins.com

Take two 1842-O Liberty Head eagles in NGC AU58. One is worth $11,500 and gets multiple orders on my website within hours of being posted. The other sells in an auction for $6,325 and is a marginal value. Why is one coin worth nearly twice as much as the other despite the fact that they are the same date in the “same” grade?

The coin(s) in question is, as I stated above, an 1842-O eagle in AU58. A little background information on this issue is appropriate to help better understand the issue at hand. A total of 27,400 examples were produced. This issue saw extensive use in commerce and it is essentially the first available eagle from this mint given the rarity of the 1841-O (only 2,500 were produced). When available, the 1842-O tends to be in VF and EF grades and it is scarce in the lower AU grades. It becomes rare in properly graded AU55 and it is very rare in AU58. This issue is an extreme rarity in Mint State with just two or three known. The second finest of these, graded MS61 by PCGS, just brought $74,750 in the August 2010 Stack’s auction.

I bought the NGC AU58 example illustrated below at the recent Philadelphia coin show sponsored by Whitman and it was among my best purchases at the show. I paid a strong price for this coin but was happy to do so (and would do so again).

1842-O $10.00 NGC AU58

What makes this a special coin? I was really attracted top this coin by its originality. It has superb deep original coloration on the obverse and reverse which suggests that it has never been cleaned or dipped. Notice the depth of the color and how even it is on both sides. I also like how clean the surfaces are. This is an issue that is typically found with densely abraded surfaces and even the MS61 piece that I mentioned above had considerable marks on the surfaces. This example, however, was immaculate. The luster of this coin, while a bit subdued as a result of the intensity of the color, is undisturbed; a result of its not having been cleaned, dipped or processed. This coin has wonderful overall eye appeal and this sort of “look” is much appreciated by connoisseurs of U.S. gold coins. (more…)

By Greg Reynolds for CoinLink

In the history of coin collecting in the U.S., most of the greatest all-time collections were characterized by many coins with attractive, natural toning, especially including many coins that had never been cleaned, dipped or otherwise deliberately modified. I have personally and carefully inspected a substantial percentage of the coins in the Eliasberg, Norweb, and Pittman collections. Further, I have seen a significant number of the naturally toned coins that were previously in the Garrett family and James A. Stack collections. Most of the very scarce or moderately rare coins from these collections that brought surprisingly high prices at auction, and generated the most enthusiasm among collectors, are those that have (or then had) natural toning and/or mostly original surfaces. Over a period of more than 125 years, sophisticated collectors in the U.S. have tended to strongly prefer naturally toned coins.

Currently, three of the most sophisticated collectors who are widely recognized are Dr. Steven Duckor, Stewart Blay and Jay Brahin. Considerable information regarding their collecting accomplishments is found in the PCGS registry. While Jay is more of a specialist in early 20th century gold coins, Blay and Dr. Duckor have built phenomenal collections in several areas. Not all of their coins are listed in the PCGS registry. Most sophisticated, advanced collectors have similar sentiments and a preference for natural toning. Many of them, however, wish to remain anonymous and thus will not be mentioned. Duckor, Blay and Brahin are all very much willing to share their knowledge with the coin collecting community.

Mark Hagen is another collector who is willing to share with the collecting community. He has been collecting coins for over forty years. I have seen him at many auctions. Further, he reports that he attended the Norweb, Eliasberg and Pittman auctions and ALL of the FUN and ANA Platinum night sales. Indeed, Mark has “been to over one hundred major auctions over the past twenty-five years” and he has “seen most of the classic rarities and gem type coins that have sold at public auction over that period.”

Hagen observes that “there are a lot of artificially toned coins on the market.” Further, Mark laments that “in addition to those that have been recolored, thousands of rare coins have been dipped; the number of original coins is getting smaller every year.” On this issue, Jay Brahin agrees with Hagen.

“To the eye of a true collector, originality is more important than shiny,” declares Brahin. “Natural toning is a testament to the age and natural process that the coin has gone through. What makes antiques appealing is their antiqueness, a normal aging process of the items. The natural aging of a relic attests to its authenticity. If you saw an 18th century original document that was a bright manila white, you would realize that something is wrong with it. You would expect an old document to show natural signs of aging. If you see an 18th century silver coin that is bright white, it is suspect; or if it has bright purple toning, it means something is wrong.”
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