The Three L’s of Coin Photography
The digital age has ushered in a new coin cabinet for collectors. Digital photography allows collectors to display their treasures without leaving their valuables exposed. Registry programs and advances in the digital technology, coupled with the proliferation of the rare coin websites and social networking platforms, has made digital coin representations an integral part of a collector’s portfolio. The overall demand for quality photos has been facilitated by digital camera manufacturers who produce a number of cameras capable of capturing the nuances of rare coins. With practice, consistent high quality images can be taken by any collector, even with a limited equipment budget. If you plan on photographing your coins yourself, here’s a quick primer. Consider these three “L’s” before you get started – the lens, the lighting, and the luster.
The Lens
The first “L” stands for the lens, but it includes other camera equipment too. It isn’t necessary to spend thousands to capture images of you coins. However, don’t fool yourself. In photography, the more you spend, the more you get. The “more” may just be more bells and whistles. But most likely, the “more” will be in the optics. The cheaper lenses do not produce as sharp an image especially along the peripheries. It will perform poorly in tougher lighting situations. The general rule here is the more light that gets through the lens, the better the depth of focus. Better light will result in crisper images up close. The better the lens the more light it lets through.
In this same vein the body of the lower priced camera will not have the options and “gadgets” that the more pricey models may include. The expensive models will produce better resolution and have a wider range of file types and sizes to choose from. You will get better results with cameras that have interchangeable lenses. You should outfit these cameras with a good quality macro lens (macro zooms are adequate, I suggest splurging on a dedicated macro lens). If you’re using an “all in one” point and shoot camera, you’ll still be able to get great images. However, a macro setting is a must. The macro setting is usually a flower icon. You may want to consult your owner’s manual.
If you are planning to image coins sealed in third party holders (or slabs), consider this plastic an additional “lens”. Before you photograph your coins, be sure that you’ve cleaned the holder to the best of your ability. Fingerprints and sticker glue will fog the holder. Many holders develop scratches on the surfaces from handling and contact with other holders. These will show-up in high quality images. Some of this can be removed or at least masked using a variety of plastic cleaners and polish. The heavier scuffs may need a light polishing with the aid of a small power craft tool fitted with a polishing wheel. (We use a Dremel MiniMite). Practice this before ruining a holder on a prized possession.
You’ll need to stabilize the lens and camera. Trying to achieve anything of quality with a handheld camera is futile. A simple inexpensive tripod at the corner or a low table works as well as a professional photo stand. Remember position you camera where you’ll be able to manipulate your lights, while keeping the camera stationary. This set-up is our second “L”.
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Between 1892 and 1954, there were 50 different silver commemoratives authorized by Congress: 48 Half Dollars along with a single Quarter and Dollar. Because many of these were issued for multiple years, were struck at the Philadelphia, Denver and San Francisco Mints, and were issued with subtle design variations, there are a total of 144 different silver coins that constitute the Classic Silver Commemorative category. Many of the coins were designed in contest by important sculptors and among them are some of the most creative examples of coinage art in all of numismatics. They also form an instructive history course of our nation, as each commemorates an important event.

