The
Goddess Arethusa on the Coins of Kimon
2-28-2007 - by Harlan J. Berk, Ltd
Since
I became a professional numismatist in 1964 I have been strongly drawn to the
facing heads on Greek coins. The reading of "Masterpieces of Greek Coinage" by
Charles Seltman, published in 1949, was a spiritual experience for me and one I
can never forget. This was when I first learned of "Kimon" and his great works.
The finest die he ever created was his inspired 3/4-facing head of Arethusa. To
create a work of this magnitude not only takes experience, brilliance and skill
but there also must be inspiration. Kimon, at the same time, made a second
obverse die which is iconographically the same but compared to the die he
created, the die he made fails. The eyes are puffy, the face is round, full and
has no intelligence, no electricity, no vigor. .
The image is just resting
helplessly on the flan. The die Kimon created has different emotion. Arethusa
has a full, fresh, well-modeled, somewhat triangular face with strong lips and
an almost electric nature to the flowing hair. The eyes, all knowing,
intelligent and strong yet kind, are the central feature of the whole face. Let
us not forget the dolphins which frolic gracefully in her hair. On her headband
the name of her creator Kimon, and above the outer border over her head, her
name ARETHUSA. The days it took Kimon to create his Arethusa were inspired
days, days which have lasted into the centuries.
Kimon's
successful Arethusa was a great moment in human creativity
While this
amazing work inspires today, it is not nearly as influential as it was in its
own era. I say that not only because it is an original creation but because it
has life and created many children.
The first child is Eukleidas'
facing Athena. Done at the same time, in the same place, Syracuse, it could
well even be a sister. With four dolphins, standard in Syracuse at this time,
frolicking in and about her hair, the type is great but not as brilliant and
electric as Kimon's Arethusa. Another contemporary is Heracleidas' Apollo from
Catania. This work which has a lot of power is elementally the same as Kimon's
masterpiece, minus the dolphins, but is somewhat heavy-handed and the god is
not nearly as insightful.